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The effect of trap!

B Biedul

Have you ever had that feeling of living in cramped?

live cramped in your life?

Living close to your apartment?

Living close to your present and perhaps your future?

Living close professionally or prospects (or not prospects) professional?

live cramped in what any quest is philosophical, religious, loving etc.. ?

Just chat with Friends and with any random person meetings to understand that this feeling is shared by a majority of us, LGBT or straight ! In this mutli-media company with multiple "ectoplasm", to use an image of Captain Haddock, the mass effect that we experience every second is doubled by the effect of a trap, because what could be more stressful and frightening as always feel more and more limited in its freedom and increasingly stifled at every step that we did!

B Biedul

All we can hope to meet and it's pitfalls of swindlers who seek our wallet! Note that the money remains today the only passport that can afford a bit of space and oxygen! In a world where everything has a price, where money is king, tickets have become powerful ivy surrounds the ideals, nations, men and women, societies, cultures, and different springs of our mental constructs . Nothing really new to me will answer you, yes it is somewhat true, but the conscience and values having abdicated, the landscape of ivy is the only one before us today to deploy its uniformity and agonizing lonely distress that accompanies it: a world shrinking in some way ...

Sexuality has always seemed "revolutionary", the libertines, moreover n have they not, from the seventeenth century, began the great hullabaloo of our society by preparing another deal between individuals and social classes? The Revolution of 1789 was also a revolution of manners and this has been true every time the company has experienced violent upheavals, and until May 68. However, the "liberation" are also experiencing outages and downtime, as history knows hollow waves ... Today, even sex is sad, weighed down by digital networks in a cul de sac, stereotyped images that rotate in a loop, boys and Girls who are no longer able to live and play in real life as prisoners of inaccessible fantasies, behaviors increasingly antisocial, not to mention alcohol and drugs that confuse any insight. The "virtual window" is the size of our computer screens: close ...

Paradoxically, the "liberation" can also cause regressions by wanting to be free can be locked into another straitjacket, that of the image, youth, sports and other models to name but a few tracks and move on next to a real development and true freedom. The approach really authentic, from the heart and his own dreams, is then offset by the insidious manipulation of all schemes imposed by "cultures" of the moment, which enclose, exclude and alienate ... Thus, although we often hear that sexuality is today "Without taboo", it is not without bias ...

The love life is thus trapped in the glue of his own fantasies that shed behavioral reflexes the vilest and most primitive selfishness, contempt, violence ! Farewell the veneer of education and knowledge to live, and live the narrowness of our contemporaries!

B Biedul

few weeks ago, I found by chance on the net works that can quite match the feeling of seclusion! All were made by an American artist named Brian BIEDUL , born in 1955 in Colorado Springs but who also lives in Europe and who is also in Paris. From information gathered, the painter has had several distinct periods in his career, including those hyper-realistic paintings of naked men who are trapped and confined in a framework that is the array itself. It also can remind some scenes mime, including that of the famous mime artist Marcel Marceau who found himself trapped in a transparent partition also imaginary.

man naked, so realistic, like the drawings of Leonardo and Michelangelo, it's just the prototype of all men, a sort of reference outside of time where everyone can meet. BIEDUL Brian is also passionate about architecture, clean lines and structures. He was already feeling through these paintings, as in other works listed on its website.

Arman

So this "character" prisoner of his "framework" or outside elements, which can be both physical and psychic and stress-the prisoner and "naked", because perhaps a prisoner of this world, as was another time we could feel a prisoner of original sin. These naked men are a bit modern in the Titans fall, struggling incessantly against choking that seems to have no respite.

Warhol

This sentiment is also apparent from other artists in other times, but differently, as with Using replication to infinity or the pile of miscellaneous objects or the mapping of characters interchangeable in a world often close to the comic, so in a clearly defined framework. To my mind works by Arman, Warhol and Haring, to name but three, provide the same feeling choking or at least reduced world and destiny closed.

Haring

Thus the object or character, as it is, repeated, multiplied, dehumanized, made naked, strangled, gives the feeling in works of art today, as in the various currents of modern twentieth s, serving the same observation of a terrible world offering more and saving horizons collapsing on him.

Notes:

Brian BIEDUL Site: Site painter