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Rediscovery of Gounod's opera "The Bleeding Nun"

Charles Gounod's opera "The Bleeding Nun " was written around 1852 . Gounod was then 36 years old, so it's a composer quite master of his means and technique that gave his audience a very endearing score! Since its presentation at the Paris Opera this book had success, but in a short period of time because it was quickly removed Poster!

We know today that a cabal of shape due to the undermining of frogs clams at the time, that prompted the opera poster hurriedly left the ... Indeed , history, gore for the time, talking about a phantom nun marrying by striking with his son's killer to get better at revenge, all in a setting worthy of the struggles of steeples way between rival families Capulet and Montague!

This statue of the Commander was uncomfortable to the ultras-cathos to shake their rantings and soporific. It is true that the libretto, written by Eugene Scribe, modeled after an English novel of the late eighteenth century ("The Monk " Matthew Gregory Lewis), is very original compared to the literary habits French reluctant to imagine ghosts in a tale of thwarted love. However these 'ghosts' are as we know very abundant in the English culture! From Shakespeare to Mary Shelley's broth creatures how "Thriller" ... We also learn that this book, almost "cursed", passed between various famous hands, including those by Berlioz who kept 5 years without managing to leave a note! It was there that Gounot collar and succeeds brilliantly put it in music and voice.

Theater Osnabrück

With "The Nun bloody " Gounod's sumptuous music while inaugurating the Once he was going to write operas including "Faust, Mireille and Romeo and Juliet the most famous and best sites of its religious creations including the famous and brilliant oratorio" Mors et Vita. " It also traces the way for future large pages of French opera of the late romantic operas with the coming of Saint-Saens, Massenet and Bizet particular. The story was only slightly modified for this great and only resumed in order to give it more clarity.

CPO which is a music publishing company whose catalog contains true treasures and rarities, had the good idea to leave the cabinet 2cd from Gounod's opera, so far as to completely forget the scene that registration. The capture was made at the opera in the city of Osnabrück, in Lower Saxony, which still has its famous painter Felix Nussbaum and Erich Maria Remarque.

City of Osnabrück

The conducting Hermann Bäumer is excellent all along the 5 acts and melodic treasures they contain. Hats off also to the Osnabrück Symphony Orchestra as the choir and performers, whose only qualification will involve only the French diction not always very good. But it is a criticism that should be applied to so many contemporary recordings or older it becomes almost unnecessary to emphasize it again!

French is indeed not an easy opera to these Foreign performers, and indeed to the French singers themselves, who often compensate the lack of clarity in the pronunciation of other vocal qualities and their game Ideally at this level is difficult to find and requires no probably go back very far to meet a nice "reference" and a voice like that of Georges Thill (tenor) Has been a model of clarity and without too many "nasalization" (frequent risk among tenors) for major roles in our directory.

The main performers are Marco Vassal Yoonki Baek, Natalia Atmanchuk Eva Schneidereit, especially all but unknown in France giving a great interpretation of this work.

fact is often repeated in recent decades to find the masterpieces of the past and our culture, revived by great foreign admirers: Heads conductors, directors and managers of collection (POC , Hyperion, Chandos, Naxos etc..). However, we must not forget the immense talent in France and work Michel Plasson, with the orchestra of the Capitole de Toulouse (EMI at ), who reclaimed the great composers of today such sometimes ignored Magnard and recorded many works from French repertoire. So to honor all those who helped us regain our heritage and to rehear Gounod, Berlioz, Massenet, Thomas, Schmitt, D'Indy, Pierne and much more!